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DISCOVER YOUR IDENTITY
Your journey starts here
Audient Console Mic Pres
The professional sound you deserve
"I’ve spent over 20 years striving for continuous improvement in our circuit design and how our products sound. To this day my mic pre design is still being used all over the world - I must’ve done something right!"
The classic Audient sound
Class-A, Discrete Console Mic Pre
On your desktop
Experience 20 years of design heritage
Clean, punchy and musical character
Design optimised gain range between 0 - 70db gain
Low noise floor - 30,000 times quieter than the signal level
Wide bandwidth - preserving your transient detail
Transformer-less, RF immune input stage for detailed resolution
HOW DOES IT SOUND?
Designed by David Dearden
Over 20 years ago
Pristine Converter Technology
Brilliance on the inside enables brilliance on the outside
Dynamic Range
The Specs
Mic Pre Gain
Dynamic Range (ADC)
Dynamic Range (DAC)
Headphone
Dynamic Range
Mic Pre EIN
Sample Rate
Expand
Grows with your needs
Balanced Inserts
Integrate your outboard
Two fully balanced insert points enable you to bring your outboard gear in from the cold and prior to conversion. Insert your favourite compressors or EQs and start creating vocal chains that rival the very best. The insert return also gives you direct access to the analogue to digital converters - providing the cleanest signal path possible, making it great for print-backs or integrating outboard line level sources.
Click To Read
Plug And Play
Plug in and be inspired
As well as offering you 2 channels of mic pre, iD22 has a harmonically rich JFET D.I input. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly
JFET D.I
Replicates classic valve amp tones
Perfect for guitars, synths and bass
Listen
You can't unhear quality
During iD22's development we discussed ways in which we could showcase iD22's versatility in a variety of genres. We were so confident you could make a release quality recording with iD22 we decided to get out in the field and record three different artists varying in style. Listen to the result for yourself...
"IT DOES ALL I NEED, TWO GREAT PREAMPS, A GOOD HEADPHONE PREAMP AND A SIMPLE INTERFACE. YOU CAN CAPTURE RECORDINGS AT A HIGH STANDARD IN A VERY SIMPLE SETUP."
– HUGO WHITE (THE MACCABEES)
Console Style Monitor Control
Customise your control surface
iD22 has a range of incredibly flexible console style monitor control functions such as mono, polarity, dim, cut, speaker select, talkback & cue mix monitoring. We know how important it is to focus on the music and to make tracking as simple as possible we added three programmable function keys. No more time spent searching for software controlled features, just assign the monitoring functions you need to the three hardware function keys and allow the creativity to flow. Real hardware control at your fingertips!
Phase and Polarity Flip
Mono Summing
Talkback Control
Intuitive software
Software you can rely on
We understand the need to keep things simple and iD22’s mixer app was designed with that in mind. Whether you’re creating low latency cue mixes or utilising the flexible monitor control, iD22 tightly integrates the hardware and software making the recording process easy. Enabling you to concentrate on what’s really important - the music.
Windows
macOS
Talkback
Communication is Key
iD22’s new dedicated talkback technology enables you to utilise any audio source connected to your computer such as a built in or USB microphone as your talkback mic, freeing up valuable mic pres while offering an effective talkback solution no matter where you are..
Use your computers built in mic for talkback
Built To Last
Quality deserves protection
iD22 has been designed to last, from its all-metal construction, hand finished aluminium knobs and high grade component selection, iD22 will stand up to countless late nights in the studio and days on the road.
10-in, 14-out Desktop Interface
2 x Class-A Audient Console Mic Preamplifiers
High Performance Burr Brown AD/DA Converters
Fully Balanced Inserts
ADAT Input & Output for Expandability
1 x Discrete JFET Instrument Input
Low Latency DSP Mixer
Main and Alternative Speaker outputs
Independent Class-AB Headphone Output
User Defined Function Keys
Full Monitor Control Functionality (software controlled)
USB2.0 Compliant
24bit/96khz
All-Metal Enclosure
Over £500 worth of plugins and software with ARC
MICROPHONE PREAMPLIFIER:
(measured to insert send)
MIC GAIN: |
-10 to +60 dB (-10dB Pad) |
LINE GAIN: |
-20 to +40 dB (-10dB Pad) |
PHANTOM POWER: |
48v +/-4v @ 10mA/Channel |
MIC EIN: |
<-125dBu |
CMRR: |
>80dB @ 1kHz |
MAXIMUM INPUT LEVEL: |
+22dBu (+32dBu with Pad) |
INPUT IMPEDANCE (Mic): |
>3kΩ Balanced |
INPUT IMPEDANCE (Line): |
>10kΩ Balanced |
FREQUENCY RESPONSE: |
+/-0.5dB 10Hz to 100kHz |
CROSSTALK: |
<-90dBu @ 1kHz & 10kHz |
THD+N @ 0dBu (1kHz): |
0.0015% (-96dBu) |
SNR: |
96dB |
HPF: |
-3dB @ 100Hz, 2nd Order (12dB/Octave) |
XLR: |
Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield) |
1/4” JACK: |
TIP (Hot), RING (Cold) & SLEEVE (Shield) |
D.I (Channel 1):
(measured to insert send)
D.I GAIN: |
-16 to +54 dB (-10dB Pad) |
MAXIMUM INPUT LEVEL: |
+16dBu (typical), +22dBu |
INPUT IMPEDANCE: |
1MegΩ Unbalanced |
FREQUENCY RESPONSE: |
+/-0.5dB 10Hz to 50kHz |
THD+N @ 0dBu (1kHz): |
<0.03% (-70dBu) |
SNR: |
93dB |
1/4” JACK: |
TIP (Hot) & SLEEVE (Shield) |
INSERT SENDS (Mic Pre Out):
MAXIMUM OUTPUT LEVEL: |
+22dBu |
OUTPUT IMPEDANCE: |
<100Ω Balanced |
1/4” JACK: |
TIP (Hot), RING (Cold) & SLEEVE (Shield) |
POWER SUPPLY:
12VDC Centre Positive DC Adapter - >1.5Amps
Internally conditioned to provide +48VDC, +/-15VDC & low voltage rails for digital processing core & converters.
iD22 cannot be bus powered for quality reasons.
ADC LINE INPUTS (Insert Returns):
(measured at optical output under AES-17)
MAXIMUM INPUT LEVEL: |
+18dBu |
DIGITAL REFERENCE LEVEL: |
0dBFS = +18dBu |
INPUT IMPEDANCE: |
>10kΩ Balanced |
FREQUENCY RESPONSE: |
+/-0.5dB 10Hz to Fs/2 |
CROSSTALK: |
-100dBu @ 1kHz & 10kHz |
THD+N @ -1dBFS (1kHz): |
<0.002% (-94dB) |
THD+N @ -6dBFS (1kHz): |
<0.0015% (-97dB) |
DYNAMIC RANGE: |
117dB un-weighted |
1/4” JACK: |
TIP (Hot), RING (Cold) & SLEEVE (Shield) |
DAC OUTPUTS (1-4):
(measured from optical input under AES-17)
MAXIMUM OUTPUT LEVEL: |
+18dBu |
DIGITAL REFERENCE LEVEL: |
0dBFS = +18dBu |
OUTPUT IMPEDANCE: |
<100Ω Balanced |
FREQUENCY RESPONSE: |
+/-0.5dB 5Hz to Fs/2 |
CROSSTALK: |
-110dBu @ 1kHz & 10kHz |
THD+N @ -1dBFS (1kHz): |
<0.0008% (-101dB) |
DYNAMIC RANGE: |
110dB un-weighted |
1/4” JACK: |
TIP (Hot), RING (Cold) & SLEEVE (Shield) |
HEADPHONE OUTPUT (5&6):
(measured from optical input under AES-17)
MAXIMUM OUTPUT LEVEL: |
+18dBu |
DIGITAL REFERENCE LEVEL: |
0dBFS = +18dBu |
OUTPUT IMPEDANCE: |
<50Ω Balanced |
FREQUENCY RESPONSE: |
+/-0.5dB 5Hz to Fs/2 |
CROSSTALK: |
-110dBu @ 1kHz & 10kHz |
THD+N @ -1dBFS (1kHz): |
<0.0008% (-101dB) |
DYNAMIC RANGE: |
110dB un-weighted |
MAX LEVEL INTO 30ohms: |
+8dBu, 0.0032% |
MAX LEVEL INTO 60ohms: |
+11dBu, 0.0022% |
MAX LEVEL INTO 600ohms: |
+17.2dBu, 0.0013% |
1/4” JACK: |
TIP (Hot), RING (Cold) & SLEEVE (Shield) |
DIGITAL i/o:
ADAT 8 CHANNELS |
44.1 - 48kHz |
ADAT 4 CHANNELS |
88.2 - 96kHZ |
STEREO S/PDIF |
44.1 - 96kHz |
USB2.0 HIGH SPEED
No. of INPUT CHANNELS 10 |
(2 Analogue, 8 Digital) |
No. of OUTPUT CHANNELS 14 |
(6 Analogue, 8 Digital) |
iD DSP Mixer Roundtrip (in to out) Latency:
44.1 kHz |
1.43ms |
48.0 kHz |
1.31ms |
88.2 kHz |
0.719ms |
96.0 kHz |
0.656ms |
DAW Playback Latency @ 32 Sample Buffer for Software Instrument Playback:
44.1 kHz |
3.166ms |
96.0 kHz |
2.12ms |
DAW Roundtrip Software Monitoring Latency @ 32 Sample Buffer (in to out):
44.1 kHz |
6.18ms |
96.0 kHz |
4.51ms |
By @nyaudio
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